Jo Barber
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22. Lisa Ruyter

10/21/2012

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  • Photographer and painter
  • Takes photographs, then draws the areas she wishes to render further and paints them, mixing new media and technologies with traditional techniques
  • She seeks to document the world around her. Recently she has done a body of work based on Dorothea Lange's photos of the great depression
  • 'The Woman 2' seen at Alan Cristea Gallery
http://www.lisaruyter.com
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21. Alastair MacKinven

10/21/2012

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  • Drawing, painting, sculpture, audio and photography
  • Abstract Capitalist Realism, the title of the series to which this painting belongs, flirts between ideas of Abstraction and Pop, citing Capitalist Realism, an art movement in Germany that paralleled early pop and presented a viable alternative to the commodity fetishism which became the hallmark of the genre.
  • 'South of Heaven', screenprint and oil on canvas, seen at British Art Now exhibition at the Saatchi Gallery July 2010
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20. Boyd and Evans

10/21/2012

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  • Painting and photographyBoyd & Evans create paintings from photographs, where perspective and scale are heavily altered to produce surreal effects, and to investigate ideas about representation. 
  • 'Warm Springs Winter' seen at Royal Academy Summer Exhition 2010.
http://www.boydandevans.com/

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19. Rosson Crow

10/21/2012

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  • Painter
  • She is known for her exuberant large-scale depictions of nostalgia-laden interiors that blend historical allusion and theatrical illusion.
  • 'Poverty Party at the White House' (2008) seen at the Royal Academy Summer Exhibition 2010.
  • See interview at
http://www.artslant.com/ny/artists/rackroom/2882
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18. Goldie

10/21/2012

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  • Urban artist and musician
  • Stencils and spray paint
  • Social decay and youth culture. "Kids have really been abandoned..." He has been teaching urban art to teenagers for 20 years . "When you can learn a form of graffiti ... you can do any form of art"
  • Article in The Independent 10/04/2009 to coincide with his exhibition 'The Kids Are All Riot'.
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17. Jane Dixon

10/20/2012

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  • Hybrid – works often contain elements of print, painting, drawing and photography.
  • Her work explores ideas relating to human vulnerability; impermanence, fragility and the essential dichotomy between absence and presence, the concrete and illusory, the relationship between the real and the artificial or invented.
  • Top picture 'Platform (from model series)' 2012, graphite frottage. My favourite item in the Jerwood exhibition this year.
  • Bottom picture 'Regeneration II (Chicago)' etching.
  • www.janedixon.net/
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16. Claude Heath

10/20/2012

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  • Drawing and painting
  • Includes coloured biro on paper
  • He draws without looking at the object, using the touch of his hand and recording the tactile, three-dimensional contours of the object with a tracery of lines.  Sometimes he turns these into paintings.
  • 'Head (Drawing 137)' 1995, seen in ‘Unknown fields’ exhibition, Salisbury 2012 
  • www.claudeheath.com/   
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15. Jean Francois Rauzier

10/17/2012

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  • Hyperphotography
  • Each photo is made up of between 600 and 3,500 individual close-up images, stitched together with Photoshop.
  • Trying to understand our uban surroundings by presenting the way these environments appear in our memories and dreams.
  • 'Racines' (2003) seen in exhibition at Waterhouse & Dodd gallery, London, 2009. 
  • http://www.rauzier-hyperphoto.com/    
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14. Michael Mew

10/17/2012

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  • Collage
  • Drawings, product labels, repainting, botanical illustrations
  • Juxtaposes the pre-industrial view of nature with the logos and advertising of recent eras to pair the common and overlooked detritus of various cultures with the classically beautiful.
  • 'Iris 2' seen in exhibition at Mauger Modern Art Gallery, Bath, 2008 
  • www.michaelmewstudio.com    
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13. Kate Atkin

10/17/2012

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  • Drawing
  • Graphite pencil on paper
  • She takes natural forms such as roots and rocks and presents these familiar forms in a new state of isolation removed from their surroundings to create something new.
  • 'Prospero's Island' (pencil on paper) seen at exhibition ‘Unknown Fields’, Salisbury, 2012. 
  • http://www.kateatkin.net/   
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    Jo Barber

    I am a second year student studying Drawing and Applied Arts at the University of the West of England.

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